Expand Cut Tags

No cut tags
ruuger: My hand with the nails painted red and black resting on the keyboard of my laptop (Kosh - modsquad)
[personal profile] ruuger posting in [community profile] b5_revisited
This is the discussion post for the episode 5x17, "Movements of Fire and Shadow". Spoilers for the whole of the series, including the spin-offs and tie-ins, are allowed here so newbies beware.

Summary:
The hostilities between the Centauri and the Alliance continue. Lyta and Franklin conduct their own investigations on the Drazi homeworld.

Extra reading:
The article for "Movements of Fire and Shadow" at The Lurker's Guide.

Date: 2011-02-24 12:06 am (UTC)
From: [identity profile] widsidh.livejournal.com
I've had to do some catching up and have watched the latest two episodes back to back (a few days ago), so apologies if they merge in my mind a bit.

Most of the pertinent things have been said by now - asusual, thanks to both of you, so here are some small obseravtions:

I like the little alien abduction scene with Londo. I uses all the cliches so deftly and I am still not entirely sure if it really happens.
But I am sure it is no coincidence that at the satrt of the sequence he asks "Who are you - what do you want?"
Unfortunately, the drakh makeup is so much less scary than the special effect originally used (although apparently that had been used to cover up an even more questionale design...).

It has only just occurred to me from reading alexcat's comment, but Vir and Lennier actually somehow seem to counterpoint each other. Vir has always been the slightly awkward naive Everyman who is not quite sure why he ended up where he is, while Lennier was busy presenting an admirable and efficient image of (near-)perfection in his role. Now both are being put under considerable stress and away from their mentors, their roles flip. Vir copes admirably, sees clearly, and finally becomes the man he was destined to be, while Lennier cracks and loses his way.
(says something about JMS)

One note on last week's ep and discussion: I think Garibaldi's role in this season (as in the previous one) is to be the weak link. In S4 it was not his fault, but now it is not clear. Is it his fault, or is the personal fallout from back then too much for anyone to handle? If the latter, why is he in office? (which then brings us to Sheridan's shortcomings as a politician...on which see selenak's post).

Date: 2011-02-24 05:55 am (UTC)
From: [identity profile] selenak.livejournal.com
re: Garibaldi - I actually like his storyline this season, or rather, I think Garibaldi is one of the best portraits of an alcoholic in genre tv, and also this storyline makes up for the s1 episode "Survivors" where he falls off the wagon and gets back on it in record time, just one episode, and that's how alcoholism all too often is dealt with. Whereas with Garibaldi you can see it's a struggle (and the fact that Garibaldi first befriends drinks-like-a-fish Londo and then also-not-an-abstinent G'Kar is fascinating in that regard as well) to stay sober, it ties with his paranoia and general control issues which are character traits, and that he finally falls off the wagon again not directly after the s4 events (he didn't take to drink then) but after finding out that there is seemingly no way he can get revenge, that in some way he's still under Bester's control - that really made sense and worked for me. Precisely because it also came in combination of Garibaldi NOT gtting his old job back (which Zack has now), something he's familiar and comfortable with, but a new one with far wider responsibilities and apparantly no balancing or checking mechanism. Recipe for disaster, there we have it.

Otoh that Sheridan gave him that job - well, presumably Sheridan thought that if he could go from commanding a space station and being a military leader in a war situation to being a peace time president of a multi-planet alliance, why shouldn't Garibaldi make it to galactic spymaster as well? Which, well. (On a Doylist level this is JMS' problem of writing an essentially conservative narrative - the hero becomes king, the people rejoice, only villains are against him - as a story with political systems that are supposedly at least parliamentarian and where leaders are politicians who should face being questioned and doubted, and being a good battle commander by no means qualifies you to be a good democratic leader or gives you administrative talents.) More seriously, though, given that Sheridan goes from being tortured to being fine and dandy again with seemingly no interruptions, it's no wonder it doesn't occur to him that Garibaldi, someone with a history of substance abuse who just was through a horrifying experience of having his mind under control, should get therapy, not unchecked responsibility.

Date: 2011-02-25 01:12 am (UTC)
From: [identity profile] widsidh.livejournal.com
Thank you, well put.
This analysis deserves (appreciative) comment, but nothing interlligent comes to mind :-)

The hero to king ting is of course archetypal, thus going even beyond conservative storytelling. This is part of what makes B5 at interesting: the way its various arcs manage to mix mythology and political narrative, largely successfully. Which in turn underlines your point about (archetypal) Sheridan not anticipating the road that (human) Garibaldi is about to take.
As for real life war-leaders who are not peace-time politicians compare Churchill...

Profile

b5_revisited: (Default)
A Babylon 5 Rewatch Community

March 2022

S M T W T F S
   12345
6 789101112
13141516171819
20212223242526
2728293031  

Most Popular Tags

Style Credit

Page generated Jun. 7th, 2025 01:53 pm
Powered by Dreamwidth Studios